Fine Art Painter.
Artistic Creator.
In Bloom. Always
This collection reflects on memory, connection, and the enduring presence of those who continue to shape us after loss. Inspired by a close personal relationship and a profound moment of coincidence in nature, the works explore how grief, beauty, and meaning can quietly intersect.
Rather than literal portraiture, the paintings seek to capture a sense of spirit — expressed through colour, movement, and organic forms. Flowers become symbols of continuity and transformation, appearing as gestures of remembrance and renewal.
The collection considers how creativity can act as a space for reflection and healing, where absence is felt not only as loss, but also as something that continues to grow, shift, and quietly remain.
Altered States
This collection is shaped by influences from street art and graffiti culture, where raw mark-making, layered surfaces, and bold colour are central to visual language. Expressive gestures and textured overlays echo the immediacy of work found in public spaces, allowing emotion to remain visible and unresolved.
The portraits explore the idealisation of female beauty through exaggerated and enlarged features, pushing familiarity toward something almost otherworldly. By amplifying eyes, lips, and facial structure, the figures move beyond realism, existing in a space between the human and the imagined.
Colour, distortion, and abstraction are used to challenge conventional perceptions of beauty, while also celebrating strength, freedom, and emotional presence. Together, the works reflect a tension between softness and defiance — intimate in feeling, yet bold in execution.
Second Skin
Second Skin brings expressive portraiture onto leather garments, transforming clothing into a moving canvas. Influenced by street art culture and contemporary figurative painting, these works explore identity, presence, and visibility beyond the gallery space.
Each jacket is hand-painted, allowing faces to emerge through bold colour, layered mark-making, and exaggerated features. The portraits echo the same visual language found in the artist’s painted works, where idealised femininity is pushed toward distortion, abstraction, and emotional intensity.
By placing the figure on the body rather than the wall, the work becomes performative — art that is worn, inhabited, and encountered in public space. These pieces exist at the intersection of fine art, fashion, and street culture, challenging traditional boundaries between object, image, and identity.
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